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| Beshalach: The Inner Song of the Soul |
The Talmud in Sotah 30b portrays Shirat HaYam, the
Israelites' song of thanksgiving and praise at their miraculous deliverance at
the Red Sea, as a song of children and babies:
Why did the Sages describe Shirat HaYam as a song
breaking forth spontaneously from the mouths of babes?
Knowledge and Honor
"Kri'at Yam Suf," when the Red Sea split so that Israel could pass
through to freedom, was the culmination of the Exodus from Egypt.
A careful examination of the text, however, indicates
that the Exodus and the Splitting the Sea had different objectives. The
Ten Plagues and the Exodus were meant to ensure that "Egypt will
know that I am God" (Ex. 7:5). The goal was knowledge — through these wonders and miracles
the world would learn to acknowledge God's existence and recognize His control over the universe.
As the Israelites crossed the Red Sea, however, God
announced, "I will be honored through Pharaoh and all his
armies" (Ex. 14:17). The miracle at the
sea aimed for a higher goal — not just knowing
God, but honoring Him.
Not yedi'at Hashem,
but kevod Hashem.
From the Throat
The obligation to honor God is learned from Proverbs, "Honor
God from your wealth" (3:9). Midrash Tanchuma explains
that one may honor God not only with monetary wealth, but also with other gifts,
including song. A person
blessed with a pleasant voice should lead the communal prayers. Rashi
explains that the word mei-honecha ('from your wealth'),
may be read as mei-gronecha — 'from your throat.'
This leads us to a deeper understanding of what it means to honor God.
Knowledge and wisdom are a function of our
intellectual faculties, but kavod comes from a deeper, more visceral part of
our existence. Like the throat, it is tied to our
essential life-force — "If one's neck is removed, one cannot
live" (Midrash Shir HaShirim 4:6).
For this reason, the Midrash describes Shirat HaYam as a
song that burst forth out of the mouths of babes. The song
at the Red Sea was a natural expression of the
Israelites' innate sense of kevod Hashem. The song emanated from their inner
yearnings for God, even before they had proper knowledge of
God, when they were like young children.
Beyond Set Measures
The Talmud teaches that one reciting the Shema prayer should
mention both the Exodus and the Splitting of the Sea
(Jer. Talmud Berachot 1:6). The commentaries explain that
both are mentioned since the redemption
from Egypt began with the plagues and was completed with
the miracle at the sea. And yet the Sages taught a surprising
rule: one who forgot to mention the Exodus must go back and
recite the Shema again. But one who forgot to mention the
Splitting the Sea does not need to go back (Shemot Rabbah
23). If the Splitting of the Sea was the consummation of the
Exodus, why is it not also a mandatory part of the prayers?
We may understand the dichotomy between knowledge and honor by contrasting
ordinary mitzvah-performance with hiddur mitzvah,
the elaboration and beautification of a
mitzvah. Every mitzvah has specific parameters and
minimum requirements in order to fulfill the mitzvah. Hiddur
mitzvah means going beyond those fixed measurements. Hiddur
mitzvah is an expression of limitless kevod Hashem, a reflection of
our inner aesthetic side. It
is learned from the poetic Song at the Sea, "This is my God and I
will honor (beautify) Him."
This enables us to understand why one who failed to mention
the Splitting of the Sea does not repeat his prayers.
Honoring God, unlike knowledge and wisdom, is not
defined within a fixed framework. Precisely because of
its loftiness, kevod Hashem cannot be bound by limits and
measures. It reflects a deeper and more innate aspect of our
essence, an awakening of the soul's inner song.
(Adapted from Shemuot HaRe'iyah (Beshalach 5630), quoted in
Peninei HaRe'iyah pp. 143-145.)
Copyright © 2006 by Chanan Morrison
"When the Israelites exited the sea, they wanted to sing.
How did they sing? A young child was
sitting on his mother's lap and a baby was nursing at his
mother's breast. When they witnessed the Shechinah,
the young child lifted his neck and the
baby stopped his nursing, and they sang out, "This is my God
and I will honor Him" (Ex. 15:2)."
